| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–6 | a | Vive sera pour jamais n’estre morte, |
| 2 | 6–11 | b | Dans le secret d’un plus hault souvenir |
| 3 | 1–6 | a | Bruslant tousjours par plus subtile sorte, |
| 4 | 6–12 | b | L’affection de mon bien advenir. |
| 5 | 12–14 | b | Ce qu’advenant je pourray devenir |
| 6 | 14–19 | c | Le seul content de moy et de m’amye. |
| 7 | 19–23 | b | En resveillant pour plustost parvenir, |
| 8 | 23–29 | c | La volunté si long temps endormie. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–3 | Apgar, Jamie | Expand | |
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| 1 | 1–3 | Herdman, Jessica | Expand | |
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| 1 | 1–3 | Quinn, Patrick | Expand | |
CommentsCt @ 5 above B |
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| 1 | 1–1 | Herdman, Jessica | Expand | |
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| 1 | 1–2 | Quinn, Patrick | Expand | |
CommentsB late |
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| 1 | 2–5 | Herdman, Jessica | Expand | |
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| 1 | 3–3 | Quinn, Patrick | Expand | |
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| 1 | 3–6 | Apgar, Jamie | Expand | |
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| 1 | 4–4 | Quinn, Patrick | Expand | |
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| 1 | 5–6 | Herdman, Jessica | Expand | |
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| 1 | 5–6 | Quinn, Patrick | Expand | |
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| 1 | 5–6 | Apgar, Jamie | Expand | |
CommentsE-flat in bassus and melisma in superius are text representation of "morte" |
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| 2 | 6–7 | Quinn, Patrick | Expand | |
CommentsS late |
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| 2 | 6–7 | Herdman, Jessica | Expand | |
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| 2 | 6–7 | Apgar, Jamie | Expand | |
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| 2 | 7–8 | Apgar, Jamie | Expand | |
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| 2 | 8–9 | Quinn, Patrick | Expand | |
Commentsalso parallel 6 in S/Ct |
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| 2 | 8–9 | Apgar, Jamie | Expand | |
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| 2 | 8–9 | Herdman, Jessica | Expand | |
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| 2 | 9–10 | Apgar, Jamie | Expand | |
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| 2 | 10–11 | Quinn, Patrick | Expand | |
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| 2 | 10–11 | Apgar, Jamie | Expand | |
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| 2 | 10–11 | Herdman, Jessica | Expand | |
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| 3 | 1–6 | Quinn, Patrick | Expand | |
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| 3 | 1–6 | Apgar, Jamie | Expand | |
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| 3 | 1–6 | Herdman, Jessica | Expand | |
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| 4 | 6–11 | Herdman, Jessica | Expand | |
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| 4 | 6–11 | Apgar, Jamie | Expand | |
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| 4 | 6–12 | Quinn, Patrick | Expand | |
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| 5 | 11–14 | Herdman, Jessica | Expand | |
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| 5 | 11–12 | Apgar, Jamie | Expand | |
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| 5 | 11–12 | Apgar, Jamie | Expand | |
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| 5 | 11–12 | Herdman, Jessica | Expand | |
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| 5 | 12–14 | Apgar, Jamie | Expand | |
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| 5 | 12–13 | Quinn, Patrick | Expand | |
CommentsS late |
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| 5 | 13–15 | Quinn, Patrick | Expand | |
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| 5 | 14–15 | Quinn, Patrick | Expand | |
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| 5 | 14–15 | Apgar, Jamie | Expand | |
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| 5 | 15–15 | Herdman, Jessica | Expand | |
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| 6 | 14–14 | Apgar, Jamie | Expand | |
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| 6 | 14–16 | Herdman, Jessica | Expand | |
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| 6 | 14–16 | Apgar, Jamie | Expand | |
CommentsNote that Ct/B is also ACC 5/3 here. |
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| 6 | 15–17 | Quinn, Patrick | Expand | |
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| 6 | 15–16 | Quinn, Patrick | Expand | |
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| 6 | 16–17 | Quinn, Patrick | Expand | |
Commentsalso parallel 3 Ct/T |
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| 6 | 17–19 | Quinn, Patrick | Expand | |
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| 6 | 17–18 | Apgar, Jamie | Expand | |
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| 6 | 18–19 | Herdman, Jessica | Expand | |
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| 6 | 18–19 | Apgar, Jamie | Expand | |
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| 6 | 19–20 | Quinn, Patrick | Expand | |
Commentsphrygian cadence on A Ct/B before auth |
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| 7 | 19–23 | Herdman, Jessica | Expand | |
CommentsVaried from phrase 1 through a different opening rhythm and a shortened cadential phrase (in m 22). |
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| 7 | 19–23 | Apgar, Jamie | Expand | |
Commentsmm. 4-5 compressed into one bar, m. 22. |
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| 7 | 19–23 | Herdman, Jessica | Expand | |
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| 7 | 20–24 | Quinn, Patrick | Expand | |
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| 8 | 23–28 | Herdman, Jessica | Expand | |
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| 8 | 23–28 | Apgar, Jamie | Expand | |
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| 8 | 23–28 | Herdman, Jessica | Expand | |
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| 8 | 24–29 | Quinn, Patrick | Expand | |
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