| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–8 | a | Comme l’aymant par sa vertu latente, |
| 2 | 8–15 | a | Attrait le fer, vostre oeil attire et tente |
| 3 | 15–22 | b | Mon coeur navré qui partout le veult suyvre. |
| 4 | 22–30 | b | Prenez le corps, car sans coeur ne peult vivre. |
| 5 | 28–43 | a | Tout est à vous, si vous estes contente. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–6 | Apgar, Jamie | Expand | |
CommentsS imitates at 8 above, T at 8 below. An entire breve between PEn entries characterizes the imitative strategy in the whole piece. |
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| 1 | 1–5 | Quinn, Patrick | Expand | |
CommentsDactyllic rhythm, not HR. S at 8 above, T at 8 below |
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| 1 | 1–6 | Herdman, Jessica | Expand | |
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| 1 | 3–3 | Quinn, Patrick | Expand | |
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| 1 | 4–6 | Quinn, Patrick | Expand | |
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| 1 | 5–6 | Quinn, Patrick | Expand | |
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| 1 | 7–8 | Quinn, Patrick | Expand | |
CommentsPhr A Ct/B before Auth D |
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| 1 | 7–8 | Herdman, Jessica | Expand | |
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| 1 | 7–8 | Apgar, Jamie | Expand | |
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| 2 | 8–12 | Quinn, Patrick | Expand | |
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| 2 | 8–14 | Herdman, Jessica | Expand | |
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| 2 | 8–15 | Apgar, Jamie | Expand | |
CommentsThis repeat of Phrase 1 material has some notes taken out, but also some extra bits of counterpoint thrown in. |
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| 2 | 9–10 | Quinn, Patrick | Expand | |
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| 2 | 9–13 | Quinn, Patrick | Expand | |
CommentsCt @ 8 above, S @ 8 above, T @ 8 below |
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| 2 | 12–12 | Quinn, Patrick | Expand | |
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| 2 | 14–15 | Herdman, Jessica | Expand | |
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| 2 | 14–15 | Quinn, Patrick | Expand | |
CommentsPhr A Ct/B before Auth D |
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| 3 | 15–17 | Apgar, Jamie | Expand | |
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| 3 | 15–16 | Quinn, Patrick | Expand | |
CommentsS early |
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| 3 | 16–17 | Apgar, Jamie | Expand | |
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| 3 | 17–19 | Quinn, Patrick | Expand | |
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| 3 | 17–20 | Apgar, Jamie | Expand | |
CommentsBoth pairs of NIM voices are in 3rds. |
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| 3 | 17–19 | Herdman, Jessica | Expand | |
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| 3 | 17–20 | Quinn, Patrick | Expand | |
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| 3 | 17–21 | Herdman, Jessica | Expand | |
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| 3 | 18–19 | Quinn, Patrick | Expand | |
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| 3 | 19–21 | Apgar, Jamie | Expand | |
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| 3 | 19–22 | Herdman, Jessica | Expand | |
CommentsFI in T>B is the NIM motive from mm 17-21. |
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| 3 | 20–21 | Quinn, Patrick | Expand | |
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| 3 | 21–22 | Herdman, Jessica | Expand | |
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| 3 | 21–22 | Apgar, Jamie | Expand | |
CommentsBass F is the evasion. |
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| 3 | 21–22 | Quinn, Patrick | Expand | |
CommentsNo S resolution, Bass descends in scale not harmonic support |
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| 4 | 22–23 | Apgar, Jamie | Expand | |
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| 4 | 22–28 | Herdman, Jessica | Expand | |
CommentsThe first 3 mm are substantially varied from phrase 3. |
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| 4 | 23–24 | Apgar, Jamie | Expand | |
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| 4 | 23–24 | Quinn, Patrick | Expand | |
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| 4 | 24–25 | Quinn, Patrick | Expand | |
CommentsT early |
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| 4 | 24–26 | Apgar, Jamie | Expand | |
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| 4 | 24–26 | Apgar, Jamie | Expand | |
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| 4 | 25–26 | Quinn, Patrick | Expand | |
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| 4 | 26–28 | Quinn, Patrick | Expand | |
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| 4 | 27–28 | Quinn, Patrick | Expand | |
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| 4 | 27–28 | Herdman, Jessica | Expand | |
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| 4 | 27–28 | Apgar, Jamie | Expand | |
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| 5 | 28–24 | Herdman, Jessica | Expand | |
CommentsPEn: may also continue into another >T, as T has the full version of the PEn motive (which does not occur in the first T iteration) after Ct>B>T>S has already occurred. |
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| 5 | 28–33 | Quinn, Patrick | Expand | |
CommentsB @ 8 below, T @ 1, S @ 8 above, T again @ 8 below |
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| 5 | 28–32 | Apgar, Jamie | Expand | |
CommentsT imitates at unison, S at 8 above. |
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| 5 | 29–29 | Quinn, Patrick | Expand | |
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| 5 | 30–31 | Quinn, Patrick | Expand | |
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| 5 | 31–43 | Apgar, Jamie | Expand | |
CommentsQuite a few different details, but still obviously a repeat of the Phrase 1 material. |
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| 5 | 31–34 | Herdman, Jessica | Expand | |
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| 5 | 31–34 | Quinn, Patrick | Expand | |
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| 5 | 32–34 | Quinn, Patrick | Expand | |
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| 5 | 32–32 | Quinn, Patrick | Expand | |
Commentsparallel 5ths Ct/T |
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| 5 | 33–34 | Quinn, Patrick | Expand | |
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| 5 | 34–35 | Quinn, Patrick | Expand | |
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| 5 | 35–36 | Quinn, Patrick | Expand | |
Comments
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| 5 | 35–36 | Herdman, Jessica | Expand | |
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| 5 | 36–38 | Quinn, Patrick | Expand | |
Commentssame as measures 8-10 |
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| 5 | 36–43 | Herdman, Jessica | Expand | |
CommentsRepetition of mm 28-35, with a varied opening for 1st 2 mm. |
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| 5 | 36–39 | Quinn, Patrick | Expand | |
CommentsCt and T explore different counterpoint towards m 39. T @ 5 above, S @ 8 above, T @ 8 below |
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| 5 | 37–38 | Quinn, Patrick | Expand | |
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| 5 | 38–41 | Quinn, Patrick | Expand | |
Comments3/8 in S/B |
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| 5 | 39–39 | Quinn, Patrick | Expand | |
Commentsparallel 5ths Ct/T |
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| 5 | 39–41 | Quinn, Patrick | Expand | |
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| 5 | 40–41 | Quinn, Patrick | Expand | |
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| 5 | 41–42 | Quinn, Patrick | Expand | |
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| 5 | 42–43 | Quinn, Patrick | Expand | |
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