| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–6 | a | Quelle prison au monde est plus cruelle |
| 2 | 6–10 | c | Pour deux amans qu’une bien longue absence? |
| 3 | 1–6 | a | Quelle douleur peult estre plus mortelle |
| 4 | 6–10 | b | Que de n’avoir de son mal allegeance? |
| 5 | 11–18 | b | O dieu amour monstrez vostre puissance |
| 6 | 17–21 | c | Convertissez par honneste moyen |
| 7 | 22–27 | b | Dueil et regret en seure jouyssance |
| 8 | 27–32 | c | Pour faire à deux amans un pareil bien. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–6 | Apgar, Jamie | Expand | |
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| 1 | 1–5 | Quinn, Patrick | Expand | |
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| 1 | 2–2 | Quinn, Patrick | Expand | |
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| 1 | 2–6 | Herdman, Jessica | Expand | |
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| 1 | 3–6 | Herdman, Jessica | Expand | |
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| 1 | 3–6 | Quinn, Patrick | Expand | |
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| 1 | 5–6 | Apgar, Jamie | Expand | |
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| 1 | 5–6 | Herdman, Jessica | Expand | |
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| 1 | 5–6 | Quinn, Patrick | Expand | |
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| 2 | 6–8 | Apgar, Jamie | Expand | |
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| 2 | 6–9 | Herdman, Jessica | Expand | |
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| 2 | 6–8 | Apgar, Jamie | Expand | |
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| 2 | 6–10 | Herdman, Jessica | Expand | |
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| 2 | 6–7 | Quinn, Patrick | Expand | |
CommentsB late |
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| 2 | 7–8 | Quinn, Patrick | Expand | |
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| 2 | 8–9 | Quinn, Patrick | Expand | |
Comments3/8 in S/B |
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| 2 | 9–10 | Quinn, Patrick | Expand | |
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| 2 | 9–10 | Herdman, Jessica | Expand | |
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| 2 | 9–10 | Apgar, Jamie | Expand | |
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| 3 | 1–6 | Apgar, Jamie | Expand | |
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| 3 | 1–6 | Herdman, Jessica | Expand | |
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| 3 | 1–6 | Quinn, Patrick | Expand | |
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| 4 | 6–10 | Apgar, Jamie | Expand | |
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| 4 | 6–10 | Herdman, Jessica | Expand | |
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| 4 | 6–10 | Quinn, Patrick | Expand | |
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| 5 | 11–11 | Quinn, Patrick | Expand | |
CommentsShould the text say "A-dieu" instead of "O-dieu"? |
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| 5 | 11–12 | Apgar, Jamie | Expand | |
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| 5 | 11–15 | Herdman, Jessica | Expand | |
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| 5 | 11–13 | Herdman, Jessica | Expand | |
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| 5 | 13–14 | Apgar, Jamie | Expand | |
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| 5 | 13–14 | Quinn, Patrick | Expand | |
Comments3/8 in S/B, 11-12 = 13-14 except the voices exchange parts S=>T, Ct=>S, T=>Ct |
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| 5 | 13–15 | Herdman, Jessica | Expand | |
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| 5 | 14–17 | Apgar, Jamie | Expand | |
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| 5 | 14–16 | Quinn, Patrick | Expand | |
CommentsT late |
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| 5 | 14–16 | Apgar, Jamie | Expand | |
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| 5 | 16–16 | Apgar, Jamie | Expand | |
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| 5 | 16–17 | Herdman, Jessica | Expand | |
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| 5 | 17–17 | Apgar, Jamie | Expand | |
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| 5 | 17–17 | Quinn, Patrick | Expand | |
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| 6 | 17–20 | Herdman, Jessica | Expand | |
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| 6 | 17–19 | Quinn, Patrick | Expand | |
CommentsB @ 5 below, T must enter 1/2 beat late to be heard through S repeating C's |
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| 6 | 17–19 | Apgar, Jamie | Expand | |
CommentsB is @ 5 below. |
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| 6 | 19–21 | Apgar, Jamie | Expand | |
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| 6 | 19–20 | Quinn, Patrick | Expand | |
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| 6 | 20–21 | Herdman, Jessica | Expand | |
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| 6 | 20–21 | Quinn, Patrick | Expand | |
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| 6 | 20–21 | Apgar, Jamie | Expand | |
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| 7 | 21–27 | Herdman, Jessica | Expand | |
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| 7 | 21–21 | Herdman, Jessica | Expand | |
CommentsAll voices pause before returning to musical material from opening (i.e. phrases 1-2). |
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| 7 | 22–27 | Quinn, Patrick | Expand | |
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| 7 | 22–27 | Apgar, Jamie | Expand | |
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| 7 | 22–27 | Herdman, Jessica | Expand | |
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| 8 | 27–31 | Apgar, Jamie | Expand | |
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| 8 | 27–32 | Herdman, Jessica | Expand | |
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| 8 | 27–32 | Herdman, Jessica | Expand | |
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| 8 | 27–31 | Quinn, Patrick | Expand | |
Commentsm8 and m 29 have different PT's. Should repeat at end of phrase return to 22 instead of 21? |
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| 8 | 30–31 | Quinn, Patrick | Expand | |
Commentssame text pause ending cadence in m 21 phrase 6 |
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