| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–5 | a | Un gros prieur son petit filz baisoit, |
| 2 | 5–8 | b | Et mignardoit au matin en sa couche. |
| 3 | 8–12 | a | Tandis roustir sa perdrix on faisoit, |
| 4 | 12–15 | b | Se leve, crache, esmeutit, et se mouche. |
| 5 | 15–16 | b | La perdrix vint au sel de brocque en bouche, |
| 6 | 16–20 | c | La devora bien sçavoit la sçience, |
| 7 | 20–23 | c | Puis quant il eut prins sur sa conscience, |
| 8 | 23–24 | d | Broc de vin blanc du meilleur qu’on eslise. |
| 9 | 24–27 | c | Mon Dieu dit il donne moy patience, |
| 10 | 27–33 | d | Qu’on a de mal pour servir Saincte Eglise. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–3 | Magruder, Katherine | Expand | |
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| 1 | 1–3 | Greenberg, Jamie | Expand | |
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| 1 | 1–3 | Greenberg, Jamie | Expand | |
CommentsDance setting bears comic relationship to the "gros prieur." |
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| 1 | 4–5 | Greenberg, Jamie | Expand | |
CommentsShift to duple meter. |
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| 1 | 4–5 | Magruder, Katherine | Expand | |
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| 1 | 4–5 | Greenberg, Jamie | Expand | |
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| 2 | 6–6 | Magruder, Katherine | Expand | |
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| 2 | 6–7 | Greenberg, Jamie | Expand | |
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| 2 | 7–8 | Greenberg, Jamie | Expand | |
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| 2 | 7–8 | Magruder, Katherine | Expand | |
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| 3 | 8–10 | Magruder, Katherine | Expand | |
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| 3 | 8–12 | Greenberg, Jamie | Expand | |
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| 3 | 8–12 | Magruder, Katherine | Expand | |
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| 3 | 11–12 | Magruder, Katherine | Expand | |
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| 4 | 12–15 | Greenberg, Jamie | Expand | |
CommentsNote values adjusted to text. T & B have new material mm. 12 -13. |
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| 4 | 12–15 | Magruder, Katherine | Expand | |
CommentsSome variation in rhythmic values. |
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| 4 | 13–14 | Magruder, Katherine | Expand | |
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| 4 | 14–15 | Magruder, Katherine | Expand | |
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| 5 | 15–15 | Greenberg, Jamie | Expand | |
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| 5 | 15–15 | Magruder, Katherine | Expand | |
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| 5 | 15–15 | Greenberg, Jamie | Expand | |
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| 5 | 15–16 | Greenberg, Jamie | Expand | |
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| 5 | 15–16 | Greenberg, Jamie | Expand | |
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| 5 | 16–16 | Magruder, Katherine | Expand | |
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| 5 | 16–16 | Greenberg, Jamie | Expand | |
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| 6 | 17–18 | Magruder, Katherine | Expand | |
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| 6 | 17–18 | Greenberg, Jamie | Expand | |
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| 6 | 18–20 | Greenberg, Jamie | Expand | |
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| 6 | 19–20 | Greenberg, Jamie | Expand | |
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| 6 | 19–20 | Magruder, Katherine | Expand | |
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| 7 | 20–21 | Magruder, Katherine | Expand | |
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| 7 | 20–21 | Greenberg, Jamie | Expand | |
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| 7 | 21–22 | Greenberg, Jamie | Expand | |
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| 7 | 22–23 | Magruder, Katherine | Expand | |
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| 7 | 22–23 | Greenberg, Jamie | Expand | |
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| 7 | 22–23 | Magruder, Katherine | Expand | |
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| 7 | 22–23 | Greenberg, Jamie | Expand | |
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| 8 | 23–24 | Greenberg, Jamie | Expand | |
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| 8 | 23–23 | Greenberg, Jamie | Expand | |
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| 8 | 23–23 | Magruder, Katherine | Expand | |
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| 8 | 24–24 | Magruder, Katherine | Expand | |
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| 8 | 24–24 | Greenberg, Jamie | Expand | |
CommentsCT moves down 2 and T moves down 2. |
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| 9 | 24–27 | Greenberg, Jamie | Expand | |
CommentsAll voices enter with minim rather than semiminim. |
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| 9 | 24–27 | Greenberg, Jamie | Expand | |
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| 9 | 25–26 | Greenberg, Jamie | Expand | |
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| 9 | 25–27 | Magruder, Katherine | Expand | |
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| 9 | 26–27 | Magruder, Katherine | Expand | |
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| 9 | 26–27 | Greenberg, Jamie | Expand | |
CommentsRaised ^3 in T creates major D sonority. This, along with the extreme registers of the structural pair, emphasize the supplication being made. |
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| 10 | 27–28 | Greenberg, Jamie | Expand | |
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| 10 | 27–27 | Magruder, Katherine | Expand | |
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| 10 | 27–33 | Greenberg, Jamie | Expand | |
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| 10 | 29–29 | Greenberg, Jamie | Expand | |
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| 10 | 29–29 | Greenberg, Jamie | Expand | |
CommentsSoggetto echoed in all voices mm. 28 -30. |
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| 10 | 29–29 | Magruder, Katherine | Expand | |
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| 10 | 30–30 | Magruder, Katherine | Expand | |
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| 10 | 31–33 | Magruder, Katherine | Expand | |
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| 10 | 31–32 | Greenberg, Jamie | Expand | |
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