Phrase Number | Measures | Rhyme | Phrase |
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1 | 1–7 | a | Puis que tu veulx mettre fin à ta plaincte, |
2 | 7–11 | b | Mettant du tout mon grand tort en oubli, |
3 | 1–7 | a | Je te suppli pourtant ne soit estaincte |
4 | 7–11 | b | Nostre amitié, qui de foy prent son pli, |
5 | 12–17 | b | Car j’ay espoir que bien tost accompli |
6 | 16–21 | c | Sera ton vueil, comme tu le desire, |
7 | 21–26 | c | Ce qui fera que cessant ton martyre, |
8 | 26–32 | d | Et jouissant du fruict de ma beaulté, |
9 | 33–39 | c | Tu n’auras plus l’occasion de dire, |
10 | 39–44 | d | Serve à rigueur estre ta loyaulté. |
Phrase | Measures | Analyst | Show details | |
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1 | 1–11 | Herdman, Jessica | Expand | |
CommentsPhrases 3-4 are an exact musical repetition of phrases 1-2. |
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1 | 1–3 | Herdman, Jessica | Expand | |
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1 | 2–2 | Holscher, Joshua | Expand | |
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1 | 2–3 | Holscher, Joshua | Expand | |
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1 | 3–6 | Holscher, Joshua | Expand | |
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1 | 3–7 | Herdman, Jessica | Expand | |
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1 | 4–7 | Holscher, Joshua | Expand | |
CommentsText Declaim: Long melisma on "plaincte" |
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1 | 5–7 | Romey, John | Expand | |
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1 | 5–6 | Holscher, Joshua | Expand | |
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1 | 6–7 | Apgar, Jamie | Expand | |
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1 | 6–7 | Herdman, Jessica | Expand | |
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2 | 7–9 | Herdman, Jessica | Expand | |
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2 | 7–9 | Holscher, Joshua | Expand | |
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2 | 7–9 | Romey, John | Expand | |
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2 | 8–11 | Herdman, Jessica | Expand | |
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2 | 8–9 | Romey, John | Expand | |
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2 | 10–11 | Romey, John | Expand | |
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2 | 10–11 | Herdman, Jessica | Expand | |
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2 | 10–11 | Holscher, Joshua | Expand | |
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3 | 1–7 | Holscher, Joshua | Expand | |
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3 | 1–7 | Romey, John | Expand | |
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4 | 7–11 | Holscher, Joshua | Expand | |
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4 | 7–11 | Romey, John | Expand | |
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5 | 12–12 | Romey, John | Expand | |
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5 | 12–17 | Romey, John | Expand | |
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5 | 12–12 | Herdman, Jessica | Expand | |
CommentsThere is a collective pause before moving on from the 1st section of music (phrases 1-4). This pause is also affective/a sort of text representation, as it is followed by simple, declarative homorhythm with the text "Car j'ay espoir ...". |
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5 | 12–15 | Holscher, Joshua | Expand | |
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5 | 12–16 | Herdman, Jessica | Expand | |
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5 | 15–15 | Holscher, Joshua | Expand | |
CommentsS/Ct dissonance at downbeat |
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5 | 15–16 | Herdman, Jessica | Expand | |
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5 | 15–16 | Holscher, Joshua | Expand | |
CommentsCadence: only S/Ct end the phrase at this point. |
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5 | 16–16 | Romey, John | Expand | |
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6 | 16–20 | Herdman, Jessica | Expand | |
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6 | 16–20 | Romey, John | Expand | |
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6 | 16–17 | Holscher, Joshua | Expand | |
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6 | 17–18 | Holscher, Joshua | Expand | |
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6 | 17–20 | Holscher, Joshua | Expand | |
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6 | 19–20 | Holscher, Joshua | Expand | |
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6 | 20–21 | Holscher, Joshua | Expand | |
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6 | 20–21 | Romey, John | Expand | |
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6 | 20–21 | Herdman, Jessica | Expand | |
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7 | 21–26 | Holscher, Joshua | Expand | |
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7 | 21–24 | Holscher, Joshua | Expand | |
CommentsT>S @6th |
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7 | 22–24 | Romey, John | Expand | |
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7 | 23–26 | Herdman, Jessica | Expand | |
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7 | 25–26 | Romey, John | Expand | |
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7 | 25–26 | Herdman, Jessica | Expand | |
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7 | 25–26 | Holscher, Joshua | Expand | |
CommentsEvaded Cadence: S does not complete cadence simultaneously, creating a dissonance. |
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8 | 26–29 | Herdman, Jessica | Expand | |
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8 | 26–28 | Romey, John | Expand | |
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8 | 28–31 | Romey, John | Expand | |
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8 | 28–31 | Herdman, Jessica | Expand | |
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8 | 29–30 | Holscher, Joshua | Expand | |
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8 | 30–32 | Holscher, Joshua | Expand | |
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8 | 31–32 | Holscher, Joshua | Expand | |
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8 | 31–32 | Herdman, Jessica | Expand | |
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8 | 31–32 | Romey, John | Expand | |
Commentsficta picardy third? |
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9 | 33–39 | Holscher, Joshua | Expand | |
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9 | 33–39 | Holscher, Joshua | Expand | |
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9 | 33–39 | Herdman, Jessica | Expand | |
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9 | 33–44 | Herdman, Jessica | Expand | |
CommentsExact final repetition of phrases 9-10. |
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9 | 33–39 | Romey, John | Expand | |
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10 | 39–44 | Romey, John | Expand | |
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10 | 39–44 | Holscher, Joshua | Expand | |
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10 | 39–44 | Herdman, Jessica | Expand | |
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10 | 39–44 | Holscher, Joshua | Expand | |
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