| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–5 | a | Si m’amie a de fermeté, |
| 2 | 4–10 | b | Aultant qu’elle a de bonne grace, |
| 3 | 1–5 | a | Plus qu’un Dieu suis en verité, |
| 4 | 4–11 | b | Car mon heur tous ceulx du ciel passe: |
| 5 | 11–19 | b | Mais quoy fault il que doubte en face, |
| 6 | 19–23 | c | N’ay je pas preuve de sa foy, |
| 7 | 23–28 | b | O en amitié l’oultre passe, |
| 8 | 28–40 | c | Par qui les Dieux sont moins que moy. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–5 | Babcock, Stuart | Expand | |
|
||||
| 1 | 1–1 | Bazinet, Genevieve | Expand | |
|
||||
| 1 | 1–5 | Bazinet, Genevieve | Expand | |
|
||||
| 1 | 2–2 | Babcock, Stuart | Expand | |
|
||||
| 1 | 4–5 | Babcock, Stuart | Expand | |
|
||||
| 1 | 4–5 | Bazinet, Genevieve | Expand | |
|
||||
| 2 | 4–5 | Bazinet, Genevieve | Expand | |
|
||||
| 2 | 4–7 | Bazinet, Genevieve | Expand | |
|
||||
| 2 | 4–7 | Babcock, Stuart | Expand | |
|
||||
| 2 | 4–5 | Babcock, Stuart | Expand | |
|
||||
| 2 | 5–5 | Babcock, Stuart | Expand | |
|
||||
| 2 | 7–8 | Babcock, Stuart | Expand | |
|
||||
| 2 | 8–9 | Bazinet, Genevieve | Expand | |
|
||||
| 2 | 8–9 | Babcock, Stuart | Expand | |
|
||||
| 3 | 1–5 | Bazinet, Genevieve | Expand | |
CommentsPhrase 3 opens with the tenor (9-10), which anticipates the S/F duo of bars 1-5, whereas phrase one opens with S, Ct and B. |
||||
| 3 | 9–5 | Babcock, Stuart | Expand | |
CommentsThe variation occurs in measures 9-10, where the tenor anticipates the melody given in the superius. |
||||
| 4 | 4–11 | Babcock, Stuart | Expand | |
|
||||
| 4 | 4–11 | Bazinet, Genevieve | Expand | |
|
||||
| 5 | 11–13 | Babcock, Stuart | Expand | |
|
||||
| 5 | 11–13 | Bazinet, Genevieve | Expand | |
|
||||
| 5 | 13–14 | Babcock, Stuart | Expand | |
|
||||
| 5 | 15–17 | Bazinet, Genevieve | Expand | |
|
||||
| 5 | 15–17 | Babcock, Stuart | Expand | |
CommentsThe melody used here is very similar to that used in the previous FI in measures 11-13, though without the first two notes. |
||||
| 5 | 16–17 | Babcock, Stuart | Expand | |
|
||||
| 5 | 18–19 | Bazinet, Genevieve | Expand | |
|
||||
| 5 | 18–19 | Babcock, Stuart | Expand | |
|
||||
| 6 | 19–21 | Bazinet, Genevieve | Expand | |
|
||||
| 6 | 19–21 | Babcock, Stuart | Expand | |
|
||||
| 6 | 21–23 | Babcock, Stuart | Expand | |
|
||||
| 6 | 22–23 | Bazinet, Genevieve | Expand | |
|
||||
| 6 | 22–23 | Babcock, Stuart | Expand | |
|
||||
| 7 | 23–27 | Babcock, Stuart | Expand | |
|
||||
| 7 | 23–28 | Bazinet, Genevieve | Expand | |
|
||||
| 7 | 23–24 | Bazinet, Genevieve | Expand | |
|
||||
| 7 | 23–28 | Bazinet, Genevieve | Expand | |
|
||||
| 7 | 27–28 | Babcock, Stuart | Expand | |
CommentsThe superius moves 7>3 instead of 7>8 and begins the new phrase upon landing on the 3. |
||||
| 7 | 27–28 | Bazinet, Genevieve | Expand | |
|
||||
| 8 | 28–40 | Babcock, Stuart | Expand | |
|
||||
| 8 | 28–30 | Babcock, Stuart | Expand | |
|
||||
| 8 | 28–30 | Bazinet, Genevieve | Expand | |
|
||||
| 8 | 28–37 | Bazinet, Genevieve | Expand | |
|
||||
| 8 | 32–33 | Bazinet, Genevieve | Expand | |
|
||||
| 8 | 32–33 | Babcock, Stuart | Expand | |
|
||||
| 8 | 33–38 | Babcock, Stuart | Expand | |
CommentsThe only variation occurs in measure 33 (corresponding to measure 28) in the superius. |
||||
| 8 | 37–38 | Bazinet, Genevieve | Expand | |
|
||||
| 8 | 38–39 | Babcock, Stuart | Expand | |
|
||||