| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–4 | a | Qui veult sçavoir quelle est m’amie, |
| 2 | 3–13 | b | Cest une gente damoiselle, |
| 3 | 13–18 | a | Qui a la grace tant jolie, |
| 4 | 18–26 | b | Qu’un chascun tire en sa cordelle, |
| 5 | 27–30 | b | Je n’en cognois point de si belle, |
| 6 | 30–35 | c | Un maintien un parler de mesmes, |
| 7 | 35–41 | b | Et le pis que je trouve en elle, |
| 8 | 40–48 | c | Elle m’aime comme soimesmes. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–3 | Bazinet, Genevieve | Expand | |
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| 1 | 1–3 | Babcock, Stuart | Expand | |
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| 1 | 2–3 | Bazinet, Genevieve | Expand | |
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| 1 | 2–3 | Babcock, Stuart | Expand | |
CommentsThere is an entrance by the bassus in measure three that appears to indicate a PEn, but it acts as a false entrance for the bassus part beginning in measure 4. |
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| 1 | 3–5 | Bazinet, Genevieve | Expand | |
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| 1 | 3–5 | Babcock, Stuart | Expand | |
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| 1 | 3–3 | Babcock, Stuart | Expand | |
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| 2 | 3–5 | Babcock, Stuart | Expand | |
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| 2 | 3–13 | Bazinet, Genevieve | Expand | |
CommentsThe phrase is stated at least three times in each voice part, mostly with the same head-motif each time. (see S part, 3-10). |
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| 2 | 3–5 | Bazinet, Genevieve | Expand | |
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| 2 | 5–8 | Babcock, Stuart | Expand | |
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| 2 | 6–10 | Bazinet, Genevieve | Expand | |
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| 2 | 6–10 | Babcock, Stuart | Expand | |
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| 2 | 10–12 | Babcock, Stuart | Expand | |
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| 2 | 12–13 | Babcock, Stuart | Expand | |
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| 2 | 12–13 | Bazinet, Genevieve | Expand | |
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| 3 | 13–18 | Bazinet, Genevieve | Expand | |
CommentsAlmost Exact repetition, but written out, no use of repeat sign. The only variation is in the Ct in bar 13-14 which anticipates the tenor line in bar 14. |
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| 3 | 13–18 | Babcock, Stuart | Expand | |
CommentsNote lengths are sometimes divided so as to fit in two syllables where only one was previously. Sometimes extra notes are added to cover this as well. |
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| 4 | 16–26 | Babcock, Stuart | Expand | |
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| 4 | 16–26 | Bazinet, Genevieve | Expand | |
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| 5 | 27–29 | Bazinet, Genevieve | Expand | |
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| 5 | 29–30 | Bazinet, Genevieve | Expand | |
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| 5 | 29–30 | Babcock, Stuart | Expand | |
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| 6 | 30–35 | Bazinet, Genevieve | Expand | |
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| 6 | 30–35 | Babcock, Stuart | Expand | |
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| 6 | 32–35 | Babcock, Stuart | Expand | |
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| 6 | 32–33 | Bazinet, Genevieve | Expand | |
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| 6 | 34–35 | Bazinet, Genevieve | Expand | |
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| 6 | 34–35 | Babcock, Stuart | Expand | |
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| 7 | 35–37 | Babcock, Stuart | Expand | |
CommentsThe superius line in measure 35 initially appears to be part of the PEn, but does not follow the pattern indicated. |
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| 7 | 35–37 | Bazinet, Genevieve | Expand | |
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| 7 | 36–37 | Babcock, Stuart | Expand | |
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| 7 | 38–40 | Bazinet, Genevieve | Expand | |
CommentsThis Pen is an echo of the one in bars 35-37, built on the same soggetto but transposed. |
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| 7 | 38–40 | Babcock, Stuart | Expand | |
CommentsThe contratenor entrance in 39 appears to act as a third entrance, creating a PEn, but the melody proceeds in a way that does not match the contour of the first two entrances. |
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| 7 | 40–41 | Bazinet, Genevieve | Expand | |
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| 7 | 40–41 | Babcock, Stuart | Expand | |
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| 8 | 40–41 | Babcock, Stuart | Expand | |
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| 8 | 40–41 | Bazinet, Genevieve | Expand | |
CommentsThe overlap occurs on the word "elle" which is the final word of phrase 7 and the first word of phrase 8. This results in more distortion of the phrase structure than is typical with text overlap. |
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| 8 | 41–41 | Babcock, Stuart | Expand | |
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| 8 | 44–45 | Bazinet, Genevieve | Expand | |
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| 8 | 46–47 | Bazinet, Genevieve | Expand | |
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| 8 | 47–48 | Babcock, Stuart | Expand | |
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