| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–5 | a | Mon ami est en grace si parfaict, |
| 2 | 5–11 | b | Que d’un chascun à soy le cœur il tire, |
| 3 | 1–5 | a | Helas voila tout ce qui tant me faict, |
| 4 | 5–11 | b | Estre doubteuse, et en si grand martyre, |
| 5 | 12–16 | b | Car comme moy un chascun le desire |
| 6 | 16–23 | c | Avoir pour soy, ô conqueste excellente, |
| 7 | 23–30 | b | Las si j’osois à moy seule te dire, |
| 8 | 30–63 | c | Plus que les dieux m’estimerois contente. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–2 | Bazinet, Genevieve | Expand | |
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| 1 | 1–4 | Babcock, Stuart | Expand | |
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| 1 | 1–4 | Bazinet, Genevieve | Expand | |
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| 1 | 1–4 | Babcock, Stuart | Expand | |
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| 1 | 1–3 | Babcock, Stuart | Expand | |
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| 1 | 1–4 | Bazinet, Genevieve | Expand | |
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| 1 | 3–4 | Babcock, Stuart | Expand | |
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| 1 | 4–4 | Bazinet, Genevieve | Expand | |
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| 1 | 4–5 | Babcock, Stuart | Expand | |
CommentsThe tenorizans moves 2>3 instead of 2>1. |
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| 1 | 4–5 | Bazinet, Genevieve | Expand | |
CommentsT moves 2>3, not 2>1. |
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| 2 | 5–6 | Bazinet, Genevieve | Expand | |
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| 2 | 5–6 | Bazinet, Genevieve | Expand | |
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| 2 | 5–8 | Babcock, Stuart | Expand | |
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| 2 | 5–6 | Babcock, Stuart | Expand | |
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| 2 | 6–7 | Bazinet, Genevieve | Expand | |
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| 2 | 6–9 | Babcock, Stuart | Expand | |
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| 2 | 7–8 | Babcock, Stuart | Expand | |
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| 2 | 9–9 | Bazinet, Genevieve | Expand | |
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| 2 | 9–9 | Babcock, Stuart | Expand | |
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| 2 | 10–11 | Babcock, Stuart | Expand | |
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| 2 | 10–11 | Bazinet, Genevieve | Expand | |
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| 3 | 1–5 | Bazinet, Genevieve | Expand | |
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| 3 | 1–6 | Babcock, Stuart | Expand | |
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| 4 | 5–11 | Babcock, Stuart | Expand | |
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| 4 | 5–11 | Bazinet, Genevieve | Expand | |
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| 5 | 12–15 | Bazinet, Genevieve | Expand | |
CommentsThe interval of imitation is at the 6th above. |
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| 5 | 12–15 | Babcock, Stuart | Expand | |
CommentsThe superius imitates the contratenor in a tonal entry at the major sixth above. |
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| 5 | 14–15 | Babcock, Stuart | Expand | |
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| 5 | 14–15 | Bazinet, Genevieve | Expand | |
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| 5 | 15–16 | Bazinet, Genevieve | Expand | |
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| 5 | 15–16 | Babcock, Stuart | Expand | |
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| 6 | 16–17 | Bazinet, Genevieve | Expand | |
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| 6 | 16–18 | Babcock, Stuart | Expand | |
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| 6 | 18–19 | Bazinet, Genevieve | Expand | |
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| 6 | 18–20 | Babcock, Stuart | Expand | |
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| 6 | 22–23 | Bazinet, Genevieve | Expand | |
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| 6 | 22–22 | Babcock, Stuart | Expand | |
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| 6 | 22–23 | Babcock, Stuart | Expand | |
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| 7 | 22–25 | Babcock, Stuart | Expand | |
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| 7 | 23–25 | Bazinet, Genevieve | Expand | |
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| 7 | 23–30 | Bazinet, Genevieve | Expand | |
CommentsExact repeat except for opening sonority, which is presented in strict HR in the repeat (bar 44) rather than Stagger at bar 23-24. |
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| 7 | 24–25 | Babcock, Stuart | Expand | |
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| 7 | 26–27 | Babcock, Stuart | Expand | |
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| 7 | 26–27 | Bazinet, Genevieve | Expand | |
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| 7 | 26–29 | Babcock, Stuart | Expand | |
CommentsThe superius enters a minor seventh above the tenor. |
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| 7 | 29–30 | Bazinet, Genevieve | Expand | |
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| 7 | 29–30 | Babcock, Stuart | Expand | |
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| 7 | 44–50 | Babcock, Stuart | Expand | |
CommentsThe first few measures are HR Simple instead of HR Stagger. |
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| 8 | 30–43 | Bazinet, Genevieve | Expand | |
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| 8 | 30–33 | Bazinet, Genevieve | Expand | |
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| 8 | 30–33 | Babcock, Stuart | Expand | |
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| 8 | 33–35 | Bazinet, Genevieve | Expand | |
CommentsImitation is at the 6th above. |
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| 8 | 34–38 | Babcock, Stuart | Expand | |
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| 8 | 36–38 | Babcock, Stuart | Expand | |
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| 8 | 37–38 | Bazinet, Genevieve | Expand | |
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| 8 | 37–38 | Bazinet, Genevieve | Expand | |
CommentsImitation is at the 6th below. |
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| 8 | 37–38 | Babcock, Stuart | Expand | |
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| 8 | 38–40 | Babcock, Stuart | Expand | |
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| 8 | 38–39 | Bazinet, Genevieve | Expand | |
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| 8 | 40–41 | Babcock, Stuart | Expand | |
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| 8 | 42–43 | Babcock, Stuart | Expand | |
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| 8 | 42–43 | Bazinet, Genevieve | Expand | |
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| 8 | 50–63 | Babcock, Stuart | Expand | |
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