| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–8 | a | Pour avoir fille en mariage, |
| 2 | 8–15 | b | Vint voir un galland sa voisine, |
| 3 | 1–8 | a | Sa mere dict elle n’est pas d’aage, |
| 4 | 8–16 | b | Fortz que de treize ans la saizine, |
| 5 | 17–24 | b | Et demi dict la fille fine, |
| 6 | 24–30 | c | La larme à l’œil en soupirant, |
| 7 | 30–37 | b | A douze ans le fit ma cousine, |
| 8 | 38–43 | c | Qui n’en est pas morte pourtant. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–4 | Bazinet, Genevieve | Expand | |
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| 1 | 1–4 | Babcock, Stuart | Expand | |
CommentsWhen the tenor and bassus respond to the superius and contratenor, the voice parts are inverted. |
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| 1 | 1–2 | Babcock, Stuart | Expand | |
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| 1 | 2–3 | Babcock, Stuart | Expand | |
CommentsThe bassus moves from 5>6. |
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| 1 | 2–3 | Bazinet, Genevieve | Expand | |
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| 1 | 4–8 | Bazinet, Genevieve | Expand | |
CommentsCt in bar 4 is varied resulting in a change in the opening sonority of the first NIM module. |
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| 1 | 4–4 | Bazinet, Genevieve | Expand | |
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| 1 | 4–8 | Babcock, Stuart | Expand | |
CommentsThis is a near-repeat of the NIM in measures 1-4. However, the contratenor enters before the superius, unlike the first NIM. The parts are still inverted in the response. |
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| 1 | 5–6 | Babcock, Stuart | Expand | |
CommentsThe bassus moves 5>6. |
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| 1 | 7–8 | Babcock, Stuart | Expand | |
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| 1 | 7–8 | Bazinet, Genevieve | Expand | |
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| 2 | 8–12 | Bazinet, Genevieve | Expand | |
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| 2 | 8–12 | Babcock, Stuart | Expand | |
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| 2 | 9–9 | Babcock, Stuart | Expand | |
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| 2 | 9–10 | Bazinet, Genevieve | Expand | |
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| 2 | 9–9 | Bazinet, Genevieve | Expand | |
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| 2 | 11–11 | Babcock, Stuart | Expand | |
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| 2 | 11–11 | Bazinet, Genevieve | Expand | |
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| 2 | 11–12 | Bazinet, Genevieve | Expand | |
CommentsCt moves 7>6 instead of 7>8 |
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| 2 | 12–14 | Bazinet, Genevieve | Expand | |
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| 2 | 13–14 | Babcock, Stuart | Expand | |
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| 2 | 14–15 | Bazinet, Genevieve | Expand | |
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| 2 | 14–15 | Babcock, Stuart | Expand | |
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| 3 | 1–8 | Bazinet, Genevieve | Expand | |
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| 3 | 1–8 | Babcock, Stuart | Expand | |
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| 4 | 8–16 | Bazinet, Genevieve | Expand | |
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| 4 | 8–16 | Babcock, Stuart | Expand | |
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| 4 | 16–17 | Babcock, Stuart | Expand | |
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| 4 | 16–16 | Bazinet, Genevieve | Expand | |
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| 5 | 17–20 | Babcock, Stuart | Expand | |
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| 5 | 17–19 | Bazinet, Genevieve | Expand | |
CommentsAlso parallel 4ths between S and Ct, resulting in Fauxbourdon. |
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| 5 | 18–18 | Bazinet, Genevieve | Expand | |
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| 5 | 18–19 | Babcock, Stuart | Expand | |
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| 5 | 20–24 | Bazinet, Genevieve | Expand | |
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| 5 | 20–22 | Babcock, Stuart | Expand | |
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| 5 | 21–22 | Babcock, Stuart | Expand | |
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| 5 | 21–22 | Bazinet, Genevieve | Expand | |
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| 5 | 22–24 | Babcock, Stuart | Expand | |
CommentsThis corresponds to measures 20-22. |
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| 5 | 22–24 | Bazinet, Genevieve | Expand | |
CommentsText Reprise: bars 22-24 are exact repeat of bars 20 -22. |
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| 6 | 24–30 | Bazinet, Genevieve | Expand | |
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| 6 | 24–30 | Babcock, Stuart | Expand | |
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| 6 | 24–25 | Bazinet, Genevieve | Expand | |
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| 6 | 25–30 | Bazinet, Genevieve | Expand | |
CommentsAlso parallel 4ths between S and Ct resulting in Fauxbourdon. |
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| 6 | 29–30 | Bazinet, Genevieve | Expand | |
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| 6 | 29–30 | Babcock, Stuart | Expand | |
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| 7 | 30–31 | Bazinet, Genevieve | Expand | |
CommentsThis duo anticipates the ID that begins in bar 31-32 with T/S. |
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| 7 | 30–37 | Bazinet, Genevieve | Expand | |
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| 7 | 31–36 | Babcock, Stuart | Expand | |
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| 7 | 31–34 | Bazinet, Genevieve | Expand | |
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| 7 | 33–34 | Bazinet, Genevieve | Expand | |
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| 7 | 37–37 | Babcock, Stuart | Expand | |
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| 7 | 37–37 | Bazinet, Genevieve | Expand | |
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| 7 | 42–37 | Babcock, Stuart | Expand | |
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| 8 | 37–38 | Babcock, Stuart | Expand | |
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| 8 | 37–39 | Bazinet, Genevieve | Expand | |
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| 8 | 37–42 | Bazinet, Genevieve | Expand | |
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| 8 | 37–43 | Babcock, Stuart | Expand | |
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| 8 | 38–41 | Babcock, Stuart | Expand | |
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| 8 | 38–43 | Bazinet, Genevieve | Expand | |
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| 8 | 38–39 | Bazinet, Genevieve | Expand | |
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| 8 | 39–39 | Babcock, Stuart | Expand | |
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| 8 | 39–39 | Bazinet, Genevieve | Expand | |
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| 8 | 40–42 | Babcock, Stuart | Expand | |
CommentsThis is a repeat of measures 37-39. The main difference is the lack of HR Stagger and the more elaborate cadence. These changes are noted in other analyses. |
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| 8 | 40–41 | Bazinet, Genevieve | Expand | |
CommentsText Reprise: This passage is a varied repetition of bars 38-39, but in HR simple rather than Stagger and with varied rhythm and leading to a full cadence. |
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| 8 | 41–42 | Bazinet, Genevieve | Expand | |
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| 8 | 41–42 | Babcock, Stuart | Expand | |
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