| Phrase Number | Measures | Rhyme | Phrase |
|---|---|---|---|
| 1 | 1–4 | a | Si l’amytié n’est que conjonction |
| 2 | 4–10 | b | De deux moytiez, qui se suivent ensemble, |
| 3 | 1–4 | a | Et l’adieu n’est que separation, |
| 4 | 4–10 | b | Qui ce plaisant lacq d’amour desassemble: |
| 5 | 11–16 | b | Las y a il, qui plus estrange semble |
| 6 | 16–21 | c | A deux amantz, que ce fascheux adieu? |
| 7 | 21–25 | b | Ennuyeux mot, qui tout plaisir nous emble, |
| 8 | 25–32 | c | Et sans lequel serions esgaulx à Dieu. |
| Phrase | Measures | Analyst | Show details | |
|---|---|---|---|---|
| 1 | 1–2 | Derycz, Pierre | Expand | |
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| 1 | 1–3 | Greenberg, Jamie | Expand | |
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| 1 | 1–2 | Saunders, Zoe | Expand | |
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| 1 | 3–3 | Saunders, Zoe | Expand | |
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| 1 | 3–4 | Derycz, Pierre | Expand | |
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| 1 | 4–4 | Saunders, Zoe | Expand | |
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| 1 | 4–4 | Greenberg, Jamie | Expand | |
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| 2 | 4–6 | Saunders, Zoe | Expand | |
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| 2 | 4–6 | Derycz, Pierre | Expand | |
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| 2 | 4–6 | Greenberg, Jamie | Expand | |
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| 2 | 5–6 | Derycz, Pierre | Expand | |
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| 2 | 6–7 | Saunders, Zoe | Expand | |
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| 2 | 6–7 | Greenberg, Jamie | Expand | |
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| 2 | 8–10 | Derycz, Pierre | Expand | |
CommentsMelismatic parallel 3rds in S/B illustrate "qui se suivent." |
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| 2 | 8–9 | Saunders, Zoe | Expand | |
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| 2 | 8–9 | Greenberg, Jamie | Expand | |
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| 2 | 8–9 | Saunders, Zoe | Expand | |
Comments// 3rds on 'ensemble' |
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| 2 | 9–10 | Derycz, Pierre | Expand | |
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| 2 | 10–10 | Saunders, Zoe | Expand | |
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| 2 | 10–10 | Greenberg, Jamie | Expand | |
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| 3 | 1–4 | Saunders, Zoe | Expand | |
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| 3 | 1–4 | Derycz, Pierre | Expand | |
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| 3 | 1–4 | Greenberg, Jamie | Expand | |
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| 4 | 4–10 | Derycz, Pierre | Expand | |
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| 4 | 4–10 | Greenberg, Jamie | Expand | |
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| 4 | 4–10 | Saunders, Zoe | Expand | |
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| 5 | 11–13 | Saunders, Zoe | Expand | |
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| 5 | 11–12 | Greenberg, Jamie | Expand | |
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| 5 | 11–12 | Saunders, Zoe | Expand | |
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| 5 | 11–13 | Derycz, Pierre | Expand | |
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| 5 | 12–13 | Greenberg, Jamie | Expand | |
CommentsOctave leaps down in CT create voice crossings with T in a passage that sets "qui plus estrange semble." |
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| 5 | 13–13 | Saunders, Zoe | Expand | |
CommentsCT leaps in mm. 12-13 on 'etrange semble' |
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| 5 | 13–14 | Greenberg, Jamie | Expand | |
CommentsVoice crossing between S and CT creates momentary uncanny effect for "estrange semble." |
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| 5 | 14–16 | Derycz, Pierre | Expand | |
CommentsBoth cadences are evaded; illustrates "estrange semble." |
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| 5 | 15–16 | Saunders, Zoe | Expand | |
CommentsS/T to A in m. 15 Txt: Represents 'etrange semble' |
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| 5 | 15–16 | Greenberg, Jamie | Expand | |
CommentsNo 2>1. Pile-up of modifiers to this cadence setting "qui plus estrange semble." Even the first cadence of the CadInCad is evaded and incomplete. |
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| 6 | 19–19 | Greenberg, Jamie | Expand | |
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| 6 | 20–21 | Saunders, Zoe | Expand | |
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| 6 | 20–21 | Greenberg, Jamie | Expand | |
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| 6 | 20–21 | Derycz, Pierre | Expand | |
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| 6 | 20–21 | Derycz, Pierre | Expand | |
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| 6 | 21–21 | Derycz, Pierre | Expand | |
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| 6 | 21–21 | Saunders, Zoe | Expand | |
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| 6 | 21–21 | Greenberg, Jamie | Expand | |
Comments"fascheux adieu?" |
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| 7 | 19–25 | Derycz, Pierre | Expand | |
CommentsExtra entry in Tenor (m. 21). |
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| 7 | 21–25 | Saunders, Zoe | Expand | |
CommentsT enters first, leads S and Ct, B has counterpoint (T role in phrase 1) |
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| 7 | 21–25 | Greenberg, Jamie | Expand | |
CommentsSlightly different entry of voices in mm. 21-22 and slightly different rhythms for cadence in m. 25. |
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| 7 | 21–23 | Derycz, Pierre | Expand | |
Comments@ 6 above |
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| 8 | 25–31 | Greenberg, Jamie | Expand | |
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| 8 | 25–32 | Derycz, Pierre | Expand | |
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| 8 | 25–31 | Greenberg, Jamie | Expand | |
CommentsSlightly different beginning in tenor due to first ending (m. 32). |
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| 8 | 25–32 | Saunders, Zoe | Expand | |
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| 8 | 27–33 | Derycz, Pierre | Expand | |
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